Friday, November 15, 2019

The Industry Of Portable Music Players Media Essay

The Industry Of Portable Music Players Media Essay Nowadays, most people in the world love to listen to the music. Some of them use it for relaxation, some for inspiration and energy, but regardless of the reasons, music became an important part of our lives. This is proved by the fact that now we can meet more and more people with earphones in their ears while walking, going in subway or even working. Portable audio players are now as popular as the Beatles were in the 1960s (Biersdorfer 2009). Each era has its musical carrier. The 60s and 70s were marked by ribbons in rolls and phonograph records; 80s were marked by the advent of cassettes. Time passed and the carries changed; audio players became more portable, tech. The romance has gone away, and only practical issues remained the music moved into digital format (GreenFacts 2008). Just now we have ipod, Iriver and many more brands under which the players are produced. But thirty years ago such a thing as a portable music player, did not exist at all. There were weighty reel and cassette recorders, record players. There was no opportunity of spending time listening to favorite tracks. But the idea was hovering somewhere in the air and waited for its genius. The Japanese were the first who started to develop the idea of portable music players (Krakow 2005). Even now, not everything is known about the exact creation of the first portable music player. There are two major and quite implausible versions: according to the first one, an engineer Nobutoshi Kihara created it for the head of Sony, so he could listen to music during long trips through the ocean. According to the second the idea of a portable cassette recorder was created by Akio Morita himself (founder of Sony). Watching his children all days long listening to the stereos of their favorite the Beatles and Elvis, he need the device for listening to music, which he could take everywhere with him. He insisted player not to have recording function. And it was a bold move, considering that most of desktop cassette recorders were very popular thanks to their ability to record music (Clements 1994). Sony guessed the desire of the public. The result was an absolute bestseller. In 1979, a small cassette player Walkman TPS-L2 was released. Although it was the first of its kind, it cost not so much $ 200. The first Walkman players used magnetic audio cassettes and looked bulky a little bit. Sony first advertised that series in Japan, in 1979. Walkmans where almost always powered by two AA batteries and provided rather good quality music if the cassette was of good quality (Hart-Davis 2004). Over time, Walkman TPS-L2 was recognized as one of the greatest inventions of the company. Or even the best in history in general. According to rating of the 50 best devices created by mankind made by the magazine PC World, the first place was awarded L2, seized the gold medal even from iPod. After that Sony decided not to stop: and in 1980 gave the world the first prototype of CD. And four years later the first portable model Sony Discman D50 appeared. It cost accordingly $ 500 (Glenn 2006). The capacity of the first CD was 640 MB, and that number was not occasional. Morita made a research, which provided a very interesting data. It was found that potential buyers of CDs are the people who preferred to listen to classical music. Taking the most popular in Japan, Ninth Symphony by Beethoven, which lasts almost 74 minutes, the engineers transferred 74 minutes of 16th-bit sound into bytes, and received 640 MB (Grey 2010). While many people still think that such a size of a disc is just a technical limitation, it is not so. Some time later the discs with 700 and even 800 MB were created, although the laser parameters were not changed. One way or another, Sony has always focused on the needs of the buyer. And it was the main secret of success of the company during the period from 70s to 90s, when the vendor has acquired an impeccable reputation and tremendous respect among consumers (Lungu 2008). Bit in the 1990s the Japanese did a mistake, creating its own ATRAC audio format and new carriers Mini Disc. Work in those areas could easily turn into a success. Mini Disc was significantly less than the conventional CD, consequently, as the players for them. The first player with new carrier, Sony Walkman MD MZ1, was compact in comparison with the first CD-models. But cost too much $ 750 (Martin 2009). In general a good venture suffered from fiasco. In Japan, the new invention was greeted very warmly, but the unyielding American market categorically rejected the creation of a new Sony. Sales of mini-discs in Russia were more very poor. The market had plenty of cheap CD-players, which were much easier to use than the new Mini Disc with the new format ATRAC. The failure of the ATRAC was because of the need to transcode music from CDs to digital format individual files. That dubious necessity took away five minutes of time on the transcoding of each record. On the one hand, it was a breakthrough the recordings could be kept not on the compacts, but in the computer. But that fact also gave a big disadvantage: those days there were not so many computers and they were very slow and space on hard drive was not enough for music collections (Gross 2007). In addition, music in ATRAC was protected by a system of copy protection OpenMG the invention of Sony. Such records could not be listened to on another computer or player. The users were not satisfied by that fact. If the failure of MD-players on the ATRAC was assumed, the refusal to support released in 1995 MP3 was a colossal folly. Many companies, including Sony, underestimated the prospects for MP3. The people understood the beauty of the new format. By 1998 hard drives were already able to accommodate a small audio collection, and the computers coped with encoding audio CDs to MP3. In addition, relatively small files could be easily sent over the Internet. So, none then needed that problematic ATRAC (Ruckert 2003). So, in 1998, a rather unknown Korean company Saehan Information Systems released its first MP3-player called MPman F10. No discs were used; there was used a flash memory of 32MB. A low price and ease of filling the music through an LPT port showed that in the very near future, such players would have to become megapopular. The first MP3-player on the hard drive HanGo PJB-100 appeared a year later. It was huge as a brick (150h80h26 mm), incredibly expensive ($ 800), but with the memory of 4.8 GB. About 4500 minutes of music at a bitrate of 128 kbps (Dixon 2006). The first player with hard drive was developed by Compaq, but has begun to be made in late 1999 under license by Hango and was called Personal JukeBox. PJB-100 had anti-shock buffer and could accommodate about a hundred of CDs to the hard disk with the capacity of 4.8 GB. It was chubby black player with a screen to navigate directly to albums and songs. Player Creative Nomad Jukebox with 6 GB of capacity released in September 2000, it still weighed a lot (about 450 g), but looked like a portable CD-player. Player Creative provided an opportunity to play WAV-files and the firmware update also allowed to listen to files in Microsoft WMA (Shamoon 2009). In 2000, Kenwood has developed a portable CD-player DPC-MP727, which could play a CD with WMA-file, and in 2001 it introduced the Rio Volt combined portable CD-player capable to play both audio CD, and CDs with MP3-files. It was possible to use a simple list of songs in M3U, but players with hard drives and flash memory worked on battery power longer (Humphries 2009). The high price and smaller convenience led to the fact that removable media did not become popular in the MP3-players. That time, the company I2Go released player based on a miniature hard drive IBM MicroDrive. In the MP3-player with a small size it was possible even to insert two hard drives of 1 GB MicroDrive, but it cost $ 2000 (Keppler 2010). I2Go ceased to exist after giving its promotional samples to all the nominees at the Oscar awards ceremony in 2000. Iomega applied the same approach in players HipZip, which used much less expensive carriers Click on the 40 MB (PocketZip); cost $ 10 each. Players HipZip reproduced audio format WMA, AAC and MP3. The problem was in this: despite the fact that it was technically possible to support a capacity of 60 or 80 MB, Iomega preferred 40 MB in order more discs were bought. Alas, but to record 60 minutes of CD quality music on a disk with the capacity of 40 MB with no appreciable loss of quality is impossible (Green 2007). Sony has developed its first digital music player in 2000, but it was not named Walkman and could not play MP3-files. Player MC-P10 Music Clip MP3 encoded files to ATRAC3, used by MiniDisc (and all music devices until the production of Sony phones Sony Ericsson Walkman). Then the player was renamed to Memory Stick Walkman and got a slot for flash cards Memory Stick, but it still played only ATRAC-files. In 2001, Nike introduced its first sport player Nike PSA Play, lightweight flash-player with large buttons, wrist holder and a neoprene case. In the same year Intel released the first MP3-player with a 128 MB Pocket Concert, but it wasnt very popular. And in October 2001, Apple announced the first 5 GB iPod (Khan, Joshua 2010). So, the year of 2001 was a turning point, and certainly a landmark for the entire industry of portable players. That year, changed not only the way of listening to music, but the entire music industry changed. Instead of strange Japanese and gloomy Korean players there appeared a legendary iPod. Known for its thought-out products, Apple approached the creation of the player thoroughly: great headphones were added to iPods, also there was attached a mechanical scroll wheel and provided excellent audio chip. Later, wheel became a touch and it remains the same till today. In addition, Apple was the first that equipped the player with 1.8-inch hard disk drive of 5 GB that previously used only in subnotebooks (Sturm 2010). There were also players with the capacious hard drives, but they cost a lot, were hefty, and the volume of 20 GB was simply not needed. IPod has become the golden mean between the storage capacity, size, and adequate price. Plus, the design made by Apple couldnt remain anyone indifferent. And Sony, having lost all credibility and respect of the public, went into hibernation for almost five years during which we have not seen a single item product. Awareness of errors came rather late: only last year it was decided to abandon the format ATRAC and SonicStage. So, during the last eight years the market of portable players grew much faster than in the ` 90s. The demand for MP3 players appeared. The company Archos, was the first that established in the PMP a full color screen. Since 2004, there was the fashion on video every player then was not only to play music but movies also. Players got new functions in the Rio Karma there was a support of an alternative format OGG, which was popular in 2003. Then, Archos has done absolutely useless trick, folding player and a simple digital camera AV300. The idea, however, completely failed (Zimmer 2009). The attempt of Creative to make a smart player, also failed. UMPC ZEN PMC looked cool in 2004, but it was absolutely useless: firstly, because of the size, and secondly, because of Windows CE. The little player Diva GEM has introduced Bluetooth, but in 2004 it was unclaimed. But the year of 2005 gave us the iPod nano that is after all, the best of our days. Attractive appearance, small size, good price, quality of Apple thats the whole secret of success (AsanWay 2010). Then music players were modified with different touch-screens and other implementations. The development of media players in general is very interesting to watch you never know how things will turn will there be a new trend maker or a new, unknown function will become standard? It is difficult to guess even a year ahead, because Portable Music Players are popular now and the technology is developing very quickly.

Wednesday, November 13, 2019

Love Poems Essay -- Poems Poetry Love Emotions Essays

Love Poems Have the love poems, you have read given you a better insight into the emotion of love? The subject of ‘Love Poetry’ has given rise to some of the most beautiful and fascinating poetry. The poets illustrate their feelings, or the feelings of the people concerned with them through the use of figurative language. A love poem is not necessarily a poem about romantic love, about romance, marriage and commitment; it could be something else entirely. It seems to be Universal. Timeless. Yet, it's also very individual, filtered by our own lives and expectations. Love can be a different thing for each one of us. Not all love poems deal with happy positive sides of love but there is also the negative sides such as pain, sadness and loss. Through these poems ‘When We Two Parted’, ‘Remember’, ‘First Love’, ‘How Do I Love Thee?’, ‘A Woman To Her Lover’, and ‘La Belle Dame Sans Merci’ we become familiar with the different emotions associated with love. Christina Rossetti’s ‘Remember’ is a poignant poem written in the 19th century about loss of love. Rossetti lived in the 19th century where people were often preoccupied with the idea of death and perhaps this is what influenced Rossetti. Rossetti shows the cruel hand of fate can interweave in love.’ Remember’, the title doesn’t reveal much about the poem but as we read the first line ‘Remember me’, we know that the poem is written in first person and when she says ‘I am gone away’ ‘into the silent land’, we come to know that she is going to die. This arouses our sympathy for her. Love has been disrupted by death. ‘of our future that you planned:’ this relation is strong and is experienced. She wants her husband to remember her even when she is not ar... ...s and what they want from women and with this we get a pretty clear idea of the Duke. In conclusion I would say that love can be of many types and it can lead to so many positive sides and negative sides. Love can also be interrupted by death, jealousy. From Christina Walsh’s poem ‘A Woman To Her Lover’, I have learnt that love should not only be service, worship, physical desires, but there is more to it. Love should be from the heart and not from the mind unlike John Clare ‘First Love’. I have also noticed that love has a spiritual and physical meaning. It is also divine as to Christina Walsh and Elizabeth Browning. Through ‘First Love’ I would be aware of the beauty of women around the world but not let loose of my self and if failed not to give up all hopes like John Clare. The emotions love in these poems has given me a different insight on love.

Monday, November 11, 2019

Mission Statement of Nokia Essay

Nokia Corporation defines its mission to connect people through mobile phone technology and quotes its mission statement as follows; â€Å"Our strategic intent is to build great mobile products our job is to enable billions of people everywhere to get connected.† Operations Management Mission of Nokia: Nokia Goals and objectives in the market are as follows: To build great mobile products. To help people feel near to what matters to them. To enable billions of people to get more of life’s opportunities through mobiles. To capture volume and value growth to connect the next billion people to the Internet in developing growth markets. OM Department Mission of Nokia: Product design: Nokia cares about developing products that meet specific need of its customers. Thus for example, all the products of Business Solution mode are tailored to the requirement of specific entrepreneur seeking the  optimal solution for him. While in mobile phone section, the lifestyle of the target group is also analyzed. Quality Management: As the customer is the driving force in Nokia, so managing the quality is started with familiar with customer requirements and then processes are continuously improved according to the feedback received from the customers. Process Design: Nokia has design the capacity to ensure meeting all the demand (capacity built in view of demand supports the credibility of Nokia). Location: As a global company, Nokia operates in over 130 countries with the headquartered in Espoo in Finland, in the origins of Nokia. To create cutting edge technologies, it carries out researches in technologically advanced countries. Moreover, according to its diversity and location policy, Nokia wants to cooperate with companies form different locations as gaining new markets is one of the company’s goals. Layout Design: Nokia as an international company also uses global manufacturing network that gives them the ability to respond quickly to changes in demand and technology. They have suppliers in all parts of the world so that they can easily introduce changes to their processes and the utilization of resources is optimal. Human Resources: One of the Nokia strength is the employees. That’s why it aims to create them the best working environment and growth opportunities. It conducts several programs to encourage them to submit their own ideas and contribute to the company’s growth such as  ´Listening to You ´ annual survey or conducted by intranet â€Å"Ask HR† that gives a quick and openly published response for all queries. Supply Chain Management: Nokia’s supply chain includes direct sourcing (material supply for Nokia products, such as components, parts, packaging, contract manufacturing, software development, and research and development) and indirect sourcing (office equipment, services etc.) Inventory: Thanks to joint ventures and close cooperation with their supplier, Nokia can optimize their inventory levels. The suppliers as Nokia partners also participate in product development process, what helps better assess the needs of the future production. Efficient management of the inventory is also supported by the diversification of the location of suppliers. Moreover Nokia builds its inventory in view of demand, minimum levels of the inventory has to be maintained. Scheduling: Average life cycle of a mobile phone is about 2 years and during one year many new models are introduced. That’s why production of one line of products is done simultaneously with the research and design process of new products. Scheduling and taking measures in anticipation of new ventures is in this case a critical issue. Maintenance: Providing training and development for their employees is one of the Nokia’s promises. They pay much attention to be in touch with all new technologies and maintained the high level of well trained staff.

Friday, November 8, 2019

Pythagorean vs. Equally Tempered Tuning is a paper discussing the differences, pros, and cons of the two systems of tuning musical instruments. Complete with 6 source bibliography.

Pythagorean vs. Equally Tempered Tuning is a paper discussing the differences, pros, and cons of the two systems of tuning musical instruments. Complete with 6 source bibliography. Pythagorean vs. Equally TemperedIn the western world of music, there is a commonly used system of tuning for an instrument, called equally tempered tuning. However, this was not always the system in use. Before equal tempered tuning, there was the Pythagoras scale, developed about 2,500 years ago by Pythagoras. Although Pythagoras' scale sounded very natural, it had a flaw. Over time, more complex instruments were created that could reach higher octaves, where the flaw became too obvious to ignore. While equal tempered tuning fixed the error, some qualities were also lost. To understand both of these systems and their differences, we must first have a basic understanding of sound.Sound is energy. When something creates sound vibrations, it makes molecules in the air vibrate (longitudinal waves), which then travel to the ear and vibrate the ear. These vibrations are then interpreted by the brain as sound. Different sounds have different shapes, velocities and pitches.English: Visual r epresentation of File:Pythagorean...The velocity of sound refers to the strength with which the sound is created. Pitch refers to the frequency or rate of vibration. If something is high pitched, it has a high frequency, meaning it vibrates the air at a higher rate, and a low pitch vibrates at a lower rate. Different sound interpreters have different frequency ranges. For example, humans can hear sounds ranging from 20Hz to 20kHz. However, dogs can hear sounds at 50 kHz or higher. This is why dog whistles cannot be heard by humans, but can by dogs; because their frequency is above our hearing range, but still within that of dogs.Discovered around 530 BCE, Pythagoras' Scale was a very natural sounding scale. It was first discovered, when Pythagoras realized that when you pluck two strings of a certain ratio to each other, it makes a...

Wednesday, November 6, 2019

Rembrandt Essays - Self-portraits By Rembrandt, Rembrandt

Rembrandt Essays - Self-portraits By Rembrandt, Rembrandt Rembrandt Name: loui.O Teacher: Samah Zakak Subject: art 10c1 Rembrandt Harmensz. van Rijn, "Self-Portrait"1658 frick.org/interact/rembrandt-harmensz-van-rijn-self-portrait Cultural contexts of the selected piece: In the 16th century, Amsterdam experienced unprecedented growth and affluence. The city developed into a metropolis in just a few years, becoming the worlds staple market. This self-portrait show us both sides of the culture the first side it show that Amsterdam is an advanced city that values art and full of rich people and materials from his clothes .but at the same time when Rembrandt draw this picture he was showing the face which is blurred and scarred by time, by sorrows, and by illness. Yet Rembrandt was only fifty-two in 1658 when he signed and dated this portrait. He was also a small man, but he portrayed his figure in powerfull and big dimension . It is almost as though he decided to pack his entire life into this image of himself, both what had gone before, and what lay ahead. References : Rembrandt (2010)frick.org/interact/rembrandt-harmensz-van-rijn-self-portrait#sthash.5MVlSrt0.dpuf Amsterdam(2013) https://www.rijksmuseum.nl/en/explore-the-collection/timeline-dutch-history/1600-1665-amsterdams-prosperity

Monday, November 4, 2019

Literary Analysis of The Tell-Tale Heart Essay Example | Topics and Well Written Essays - 1500 words

Literary Analysis of The Tell-Tale Heart - Essay Example This paper aims to analyze this marvellous and excellently written short story by discussing the characters, themes, symbols, textual details and imagery. The Tell Tale Heart may be categorized as a horror short story. The story is written in a first-person narrative style. The story opens with the explanation of horrified feelings and terror. These feelings if observed more closely are the remembrance of those terrifying events and things from the past (Quinn 1998, p. 394). The tell tale heart, is a story narrated by a mentally unstable and over suspicious man. It determines the mental conflicts within the narrator's mind but eventually ends up in murdering his innocent housemate, a pale blue eyed old man. Yet he claims his sanity and stability of mind and tries to bring logic in his cruel act. He kept on insisting about not being crazy and talks about his cold blooded and vicious planning of murder (Bloom 2002, pp. 70-71). He does try to satisfy himself by admitting killing the old man due to fear of his pale blue coloured eyes but he could not get rid of the guilt of his actions due to which he kept hearing old man's loud heart thumping sound and blows his own cover in front of the officers by confessing his crime. The narrator of The Tell Tale Heart seems and convincingly was a mentally unstable person who was dangerous and lost his control in his life, his obsession led to his destruction eventually. He felt hostile about his identity and wanted to stay anonymous. From the beginning he tried to protect his view about life as correct and his over imaginative and suspicious nature as peculiar sensitivity of sensing danger around. The narrator of â€Å"The tell tale heart† is a killer of an innocent man. The narrator of the story seemed well planned and gave acute time to his course in action, leaving no choice for the victim at all. The Tell Tale heart’s narrator waited for 7 nights and murdered the already scared man randomly on the 8th night. The factor of fear is even involved here; he could not stand the fear of his pale blue eyes. The tell tale heart’s narrator was a confused mind person who refused to be insane but did admit the fact that his actions were of a right cause and planned until he chopped the body and hid it under the floorboards. Due to his heighten sensitivity of listening to different sounds, he was unable to distinguish between the real and imaginative sounds so he confessed his crime and but did call the police officers villain as he could not distinguish between his own actions which were vicious. The Tell Tale Heart is the story which describes the feelings of conflict within a person. The use of unambiguous sentence structures and incompleteness of the narrations the author clearly illustrates the conflicts that are prevalent in the narrator’s mind. The unstable mental condition of the narrator is also obvious from the choice of words, unstructured sentences and improper expressing ways by the narrator. The story is tense and the narrator keeps this tension increasing gradually throughout the story until the end when the narrator accepts his sin of killing an innocent person. The story portrays violent act of murdering someone due to the inner obsession with the old man’s eyes. The insanity of the narrator is exposed through the extreme reaction of that obsession in killing him. The narrator does not have control over his actions and reactions which is also a predictor of an

Friday, November 1, 2019

Consider ther central principles of Christianity. How do there reflect Essay

Consider ther central principles of Christianity. How do there reflect Platonic ideas - Essay Example Similar is the philosophical notion of Platonism about God and life. Evidently Christianity was founded and nourished on the social ground where Platonism had been the key pressure. To illustrate, Christianity has a lot of similarities with the basic notions of Platonism. First of all, the Christian doctrines and Platonic principles accept the fact that spirit is superior to body and that it exists in all. In addition, Plato accepts the eternal, omnipresent and omnipotent nature of God. He also acknowledges the fact that God gives soul to human and that God created world because he is good. Platonism shows similarity in accepting the fact that God gives laws and every soul will be rewarded or punished according to its deeds. Both Platonism and Christianity maintain the concept of heaven and hell. Christianity also is based on the belief that God created the world and he created humans in his own likeness and character. Genesis 1:26 states that God created man in his own image. And it is said that ‘he made the world good; and when he saw it he was delighted’ (Genesis 1:31). ... In addition, Jesus Christ teaches to lay up treasures in heaven where ‘neither moth nor rust corrupt them’ (Mathew 6:20). Moreover, it is said in Romans that â€Å"if the spirit of him that raised up Jesus from the dead dwell in you, he that raised up Christ from the dead shall also quicken your mortal bodies by his Spirit that dwell in you† (Romans 8:11). Similar is the belief found in Platonism. According to Plato, (Phaedo, 114 C) after death, every soul goes to a place corresponding to its deeds while alive. If then, the wicked with curable sin nature will be left to a lower world where they shall suffer for their sins; whereas, the incurable souls will be abandoned permanently into hell. With regard to pious souls, they shall live without human bodies forever in eternal happiness with God almighty (ibid). Hence, the striking similarity between the Church and Platonism comes in the concept of heaven, hell and purgatory. Jesus says clearly that ‘it is bett er to pluck out your right eye if it sins because it is better to lose it than being cast into hell’ (Mathew 5:29). He also warns that â€Å"no one who speaks against the Holy Spirit will be forgiven either in this world or in the next† (Matthew 12:32). Another agreement comes in the case of body-soul interaction. Bible says â€Å"Do not be afraid of those who kill the body but cannot kill the soul. Rather, be afraid of the One who can destroy both soul and body in hell.† (Matthew 10:28) The concept that Platonism cherishes also is similar because it says that external aspects or diseases of the body can little harm the soul; whereas vice, can worsen the moral quality of